I have seen the period before actual writing described as the “compost period”. You let stories and characters sit in the deeper reaches of your brain and let them ferment. I spent the month before NaNoWriMo doing just this, but it didn’t feel like I had much to show for it when November 1st rolled around. In truth, there were probably themes and ideas that would pop up later, growing in the background during the month, but there was little to start the pen rolling on day one.
What I had was a backdrop for the book. It would take place along the Pacific Coast of the United States, hugging the coastline for much of the journey. As far as story, I had an opening moment (not even a scene) and one more scene I would use sometime later in the book. That is about it. As day one of writing approached, the details of the first scene were probably growing in the background, but I still had little idea where the story would lead.
Encouraged by Stephen King’s method of writing, I planned to write my way into the story. I have learned this method of writing is often called “discovery writing”. I don’t recall if he called it this in his book, but one of the passages I highlighted in On Writing describes it as,
“I lean more heavily on intuition, and have been able to do that because my books tend to be based on situation rather than story…I want to put a group of characters (perhaps a pair; perhaps even one) in some sort of predicament and then watch them try to work themselves free. My job isn’t to help them work their way free, or manipulate them to safety – those are jobs which require the noisy jackhammer of plot – but to watch what happens and then write it down.”
So I had permission to just wing it somewhat and see what would happen. But it felt like I was working without a net.